The Art Canada Institute gratefully acknowledges the generosity of the sponsors of this book:
Season Sponsor
Power Corporation of Canada
Gold Sponsor
Jill Rawlinson
Silver Sponsor
Canada Life
Bronze Sponsors
Gail Rose and Mark Appel
The Estate of Victor Cicansky
Lyn Goldman, SOM, LLD
Ann and Roger Phillips Foundation
Paul and Joan Whitney in memory of June Whitney
Contributors
The Honourable Dennis Ball, K.C., and Ms. Lynn Ball
Bob and Jean Cameron
Dr. Neil Devitt
Jacquie and Jim Estey
Regan and Kim Exner
Ralph and Pamela Goodale
The Hill Companies
Bob Kasian
Marie Lannoo
Marjorie and Don Lenz
Harold and Jean MacKay
Béatrice de Montmollin and Lawrence L. Herman
Donalda Parker and David Anderson
Wilf Perreault
David Thauberger
Bill and Joan Wheatley
Susan Whitney and Gerald Kraus
Mia Yen and John Higginbotham
Image Sponsor
MacKenzie Art Gallery
We thank the Founding Sponsor of the Art Canada Institute: BMO Financial Group.
Many individuals assisted me in gathering material for this book. I am especially indebted to Lisa Henderson for her insights into the early development of art in Regina, informed by her extensive research on art in the province and generously shared over many years through her blog, Early Saskatchewan Art in the News. Her work has been essential in illuminating the contributions of early women’s organizations in Regina, as well as the achievements of artists such as Harriet Keating and Sybil Jacobson. Alison Bowles kindly shared photographs and documentation relating to her grandmother, Ethel Barr; Joni Darke and Carolyn Sunquist provided information about their grandparents, Frances and Annie Darke; and Kathleen Dufour contributed archival material relating to her aunt, the artist Ruth Pawson.
For additional information on Regina’s early history, I am grateful to the dedicated staff of the Saskatchewan Legislative Library and the Saskatchewan Provincial Archives for their assistance and support. I also thank Bailey Monsebroten, Curator of Indigenous Cultural Heritage, and Cindy Scheer, Collections Manager of Archaeology, at the Royal Saskatchewan Museum for facilitating access to their rich collections, including Indigenous materials, and Brock Silversides—archivist and historian—whose knowledge of photography in Western Canada, including the work of Oliver Buell and Edgar Charlotte Rossie, is unsurpassed.
My understanding of developments in Regina art following the Second World War benefited greatly from conversations with Wayne Morgan, who shared reflections on his studies at Regina College and his subsequent curatorial career at the Dunlop Art Gallery. Marie Olinik, Registrar at the MacKenzie Art Gallery, assisted with research on works in the gallery’s collection; Alex King, Curator and Preparator of the University of Regina President’s Art Collection, introduced me to artworks displayed throughout University of Regina properties, including the Regina College Building; and Julia Krueger, Registrar at SK Arts, shared information on the history of the Saskatchewan Arts Board.
I also wish to thank Susan Surette, artist, craft historian, and part-time faculty member at Concordia University, for her insights into the career of Lorraine Malach and artists associated with the Regina Clay Movement; Ayla Dmyterko for sharing her knowledge of recent developments in Regina art, including her own practice; and Leah Spafford, owner of Spafford Books in Regina, whose long-standing assistance in sourcing publications on Saskatchewan history has been invaluable.
I am deeply grateful to the exceptional ACI team for bringing this book to fruition. In particular, I thank Sara Angel for her leadership and enthusiastic support throughout the process; Victoria Nolte for her patience and expertise in guiding the manuscript through its many stages; and Diane Pellicone for her perseverance in sourcing images. Finally, on a more personal note, I owe a profound debt of gratitude to my family and friends—especially my partner, Brenda Roberts; my brothers, Don and Mark; and Katerina Atanassova, Jane Robertson, and Frances Smith—for their love, encouragement, and unwavering support.
Image Sources
Every effort has been made to secure permissions for all copyrighted material. The Art Canada Institute will gladly correct any errors or omissions.
The Art Canada Institute would like to thank the following for their assistance: Alberta Foundation for the Arts (Lauren Ball, Neil Lazaruk, Kristin Stoesz); Art Gallery of Ontario (Alexandra Cousins); Art Gallery of Regina (Sandee Moore); Art Resource Inc. (John Benicewicz); Assiniboia Gallery (Jeremy Weimer); The Barnett Newman Foundation; Canada Council Art Bank (Saada El-Akhrass); Canadian Architect (Elsa Lam); Canadian Grain Commission (Tomaz Booth); Canadian Museum of History (Chloe Belair-Morin, Sarah Cole); Canadian War Museum; Chislehurst Digitization Inc. (Jacqueline Vincent); City of Regina (Lindsay Mitchell); Confederation Centre Art Gallery; Copyright Board of Canada (Hanna-Joy Farooq); COVA-DAAV (Bella Adrian); Cowley Abbott Fine Art (Julia De Kwant); Crown-Indigenous Relations and Northern Affairs Canada (Kevin Sakolinsky); Dunlop Art Gallery (Eric Hill, Wendy Peart); Estate of William “Billy” Beal (Robert Barrow); Estate of Ronald Bloore; Estate of Bob Boyer (Jonah Boyer); Estate of Victor Cicansky (Mea Cicansky); Estate of Joe Fafard (Lana Siman); Estate of Roy K. Kiyooka; Estate of Kenneth Lochhead; Estate of Arthur McKay; Estate of Ruth Pawson (Kathleen Dufour); Estate of Allen Sapp; Estate of Jack Sures; Estate of Mashel Teitelbaum (Matthew Teitelbaum); Estate of Anthony Thorn; Estate of Mildred Valley Thornton (Westbridge Fine Art Ltd.); First Nations University of Canada (Peter Brass); Glenbow Museum (Nadia Singleton); Global Affairs Canada Visual Art Collection (Kerry Goodfellow, Carolyn Hickey); Government of Saskatchewan (Krista Liggett); Heffel Auction House (Daniel Gallay, Kirbi Pitt); LEVIS Fine Art Auctions (Andrea Lowe); Library and Archives Canada (Eric Bilodeau); MacKenzie Art Gallery (Crystal Mowry, Marie Olinik); McCord Stewart Museum (Anne-Frédérique Beaulieu); McMichael Canadian Art Collection (Briana Pellizzari-Lento); Metropolitan Museum of Art; Moose Jaw Museum and Art Gallery (Jennifer McRorie); Musée national des beaux-arts du Québec (Julie Bouffard); Museum of Arts and Design (Logan Recchia); The Museum of Modern Art; Nanaimo Art Gallery (Jesse Birch); National Gallery of Canada (Emily Putnam); Neutral Ground Artist-Run Centre (Emily Nestor); Nutana Collegiate Memorial Art Gallery; Provincial Archives of Saskatchewan (Leanne Tremblay); Regina Leader-Post / Postmedia Network (Elena Novikova); Remai Modern (Jillian Cyca); Rio Saxon Design (Russell Portigal); Royal Ontario Museum (Nicola Woods); Royal Saskatchewan Museum (Marlon Janzen, Bailey Monsebroten, Ray Poulin); Royal Tyrrell Musuem of Palaeontology (Sue Sabrowski); Saskatchewan Network for Art Collecting; Saskatchewan Provincial Capital Commission (Andy McLennan); SK Arts (Robin Canham); Slate Fine Art Gallery (Gina Fafard); Smithsonian American Art Museum (Riche Sorensen); State Historical Society of North Dakota (Lori Nohner); University of Regina Archives and Special Collections (Catherine Folnovic, Alyssa Hyduk); University of Regina President’s Art Collection (Julia Krueger); University of Regina Press (Erin Dunlop); University of Saskatchewan Art Galleries and Collection (Cayden Brooks, Jake Moore, Carey Shaw); University of Saskatchewan, University Archives and Special Collections (Lindsay A. Stokalko); Vancouver Art Gallery (Stephanie Rebick); Waddington’s Auctioneers & Appraisers (Solomon Alaluf, Liz Edwards, Kendra Popelas); Keith Bird; Eli Bornstein; Katherine Boyer; Christian Cassidy; Robert Christie; Ayla Dmyterko; Sean Fenzl; David Garneau; Don Hall; Marsha Kennedy; Zachari Logan; Jeannie Mah; Gerald McMaster; Wayne Morgan; Audie Murray; Sheila Orr; Wilf Perreault; Edward Poitras; Sherry Farrell Racette; sweetmoon photography (Tenille Campbell); and David Thauberger.
The ACI recognizes the additional private collectors who have given permission for their works to be published in this edition.
Credits for Cover Images
David Thauberger, A Dream of Autumn, 2024. (See below for details.)
Bob Boyer, The Mountains, the Night and the 49, 1988. (See below for details.)
Credits for Banners
Preface: Arthur McKay, Prairie Landscape, c.1950. (See below for details.)
Historical Overview: Looking west down 11th Avenue, Regina, 1912, attributed to Edgar C. Rossie. (See below for details.)
Key Artists: Douglas Morton, Emma Lake Abstract, 1960. (See below for details.)
Institutions, Associations & Events: Panoramic view, First Nations University of Canada, Regina, 2022. (See below for details.)
Community Builders: Mary Filer, An Evening at the Regina Sketch Club, 1944. (See below for details.)
Sources & Resources: Katherine Boyer, The Sky Vest, 2021. (See below for details.)
Where to See: Regina Sketch Club exhibition, Regina Court House, 1928. (See below for details.)
Copyright & Credits: Victor Cicansky, Sexy Garden: Carrots III, 2019. (See below for details.)
Credits for Works and Photographs
16th Avenue and Smith Street in the Aftermath of the Regina Cyclone, 1912, by Edgar C. Rossie. Collection of Provincial Archives of Saskatchewan, Regina (R-B215-10). Courtesy of Provincial Archives of Saskatchewan.
2 Plus 2, 1966, by Douglas Morton. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1966-007). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
After the Storm, c.1914, by Inglis Sheldon-Williams. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie (1925-009). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Afternoon in the Coulee, c.1929, by James Henderson. Collection of the National Gallery of Canada, Ottawa, purchased 1930 (3706). Courtesy of the National Gallery of Canada. Photo: NGC.
Albert Memorial Bridge, Regina (detail), 2025. Photograph by Saskatchewan Provincial Capital Commission. Courtesy of Saskatchewan Provincial Capital Commission, Regina.
Architect Douglas Cardinal in the foyer of the First Nations University of Canada, date unknown. Photograph by Douglas Cardinal Architect Inc. Collection of First Nations University of Canada, Regina. Courtesy of First Nations University of Canada.
Arlene Franco, Jane Combe, and Director/Curator Karen Schoonover at the opening reception for Judy Chicago’s The Birth Project at the Rosemont Art Gallery, Regina, 1986. Photographer unknown. Courtesy of Art Gallery of Regina.
At the Fiddle Camp, 2009, by David Garneau. Collection of Alberta Foundation for the Arts, Edmonton (2009.021.002). Courtesy of Alberta Foundation for the Arts.
Augustus Kenderdine teaching an outdoor painting class at Emma Lake, 1936. Photographer unknown. Courtesy of Alberta Foundation for the Arts. Collection of University of Saskatchewan, University Archives and Special Collections, Photograph Collection (A-8747). Courtesy of University of Saskatchewan, University Archives & Special Collections.
Bag or wallpocket (Métis), n.d., by a once-known Métis artist. Collection of the Royal Saskatchewan Museum, Regina (E1342/150/15311). Courtesy of Royal Saskatchewan Museum.
Beaded moccasins (Piapot First Nation), 1932, by a once-known Piapot artist. Collection of Royal Saskatchewan Museum, Regina (346/3a/b/3802). Courtesy of Royal Saskatchewan Museum.
Big Sky (New Hope – New Year), 1988, Ruth Pawson. Private collection. Courtesy of Waddington’s Auctioneers & Appraisers, Toronto.
Black and Gold, n.d, by Marion Long. Collection of MacKenzie Art Gallery, Regina, University of Regina, gift of the Women’s Educational Club of Regina (1953-007). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Black Shawl, c.1908, by Sybil Henley Jacobson. Private collection.
The Blizzard, 1916, by Inglis Sheldon-Williams. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie (1917-001). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Blockage on CPR main line in Regina following cyclone, 1912, by Edgar C. Rossie. Collection of Provincial Archives of Saskatchewan, Regina (R-B215_5). Courtesy of Provincial Archives of Saskatchewan.
Bob’s Cowboy Boots, 1973, by Marilyn Levine. Private collection.
Branch Hill Pond, Hampstead Heath, c.1824–25, by John Constable. Collection of Virginia Museum of Fine Arts, Richmond, The Adolph D. and Wilkins C. Williams Fund (49.18.4). Courtesy of Wikimedia Commons.
Bread Frog as a Coffee Break, 1981–82, by David Gilhooly. Collection of Museum of Arts and Design, New York, gift of Rebecca Cooper Waldman, through the American Craft Council (1986.5). Courtesy of Museum of Arts and Design. Photo credit: Eva Heyd, 2007.
Bridge and Parliament Building, Regina, 1957, by Edward John Hughes. Private collection. Courtesy of Heffel Fine Art Auction House, Toronto.
The Buffalo Hunt, 1915, by Augustus Kenderdine. Collection of MacKenzie Art Gallery, University of Regina Collection, gift of the Estate of Dr. John B. Ritchie (1974-016). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Buffalo Robe, c.1877–81, by Tatanka Iyotanka (Sitting Bull). Collection of State Historical Society of North Dakota, Bismarck (10117). Courtesy of State Historical Society of North Dakota.
Buffalo Robe by Tatanka Iyotanka (Sitting Bull) on display in the exhibition The Permanent Collection: Walking with Saskatchewan at the MacKenzie Art Gallery, Regina, 2019. Photograph by Don Hall. Courtesy of MacKenzie Art Gallery, Regina.
Build Your Nest in Western Canada, 1907–8, by an unknown artist. Collection of Library and Archives Canada, Ottawa (RG 76-I-A-1, Volume number: 1633, file number: 608414). Courtesy of Library and Archives Canada.
Canadian Martyr’s Area, 1980, by Wilf Perrault. Collection of Remai Modern, Saskatoon, the Mendel Art Gallery Collection, Purchased 1980 (1980.23). Courtesy of Remai Modern.
Canadian Pacific Railway Depot Gardens, Regina, c.1900–25. Photographer unknown. Collection of Library and Archives Canada, Ottawa, Albertype Company fonds (PA-031964). Courtesy of Library and Archives Canada.
Canadians Arriving on the Rhine, 1918–19, by Inglis Sheldon-Williams. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (197110261-0657). Courtesy of the Canadian War Museum.
Canoeing in the Rockies, 1889, by Frederic Marlett Bell-Smith. Private collection, Barrie. Courtesy of Cowley Abbott, Toronto.
Cathedrals, Georgian Bay, 1928, by Owen Staples. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Women’s Educational Club of Regina (1953-045). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Cenotaph in Victoria Park, Regina, Saskatchewan, c.1940. Produced by Valentine-Black Co. Ltd., Toronto. Collection of Philip Dombowsky.
Chief Pitikwahanapiwiyin (Poundmaker) with his fourth wife, c.1884. Photograph attributed to Oliver B. Buell. Collection of Library and Archives Canada, Ottawa, O.B. Buell (PA-066596). Courtesy of Library and Archives Canada.
Child’s Jacket, late nineteenth or early twentieth century, by a once-known nêhiyawak artist. Collection of Glenbow Museum, Calgary (AP 2523). Courtesy of Glenbow Museum.
Class at Regina College led by Augustus Kenderdine, c.1940. Photographer unknown. Collection of University of Saskatchewan, University Archives and Special Collections, Photograph Collection (A-3056). Courtesy of University of Saskatchewan, University Archives and Special Collections.
The College Register, 1925. Published by students of Regina College (Regina: Students of Regina College, 1925). Collection of University of Regina Archives and Special Collections (sru.00001, 1925/1925). Courtesy of University of Regina Students Union and the University of Regina.
Continuum, 1967, by Douglas Morton. Collection of Dunlop Art Gallery, Regina (PC83.1.39). Courtesy of Dunlop Art Gallery.
Councillors of the Provisional Government of the Métis Nation, Manitoba, 1870. Photographer unknown. Collection of Library and Archives Canada, Ottawa (PA-012854). Courtesy of Library and Archives Canada.
Counting Coup, 1990, by Gerald McMaster. Courtesy of the artist. Photo credit: David Barbour.
Cover of The Flat Side of the Landscape: The Emma Lake Artists’ Workshops, by John O’Brian (Saskatoon: Mendel Art Gallery, 1989).
Cover of A Prairie Vernacular: Folk and Contemporary Art Narratives of Life on the Canadian Prairie, by Jennifer McRorie and Joanne Marion (Moose Jaw: Moose Jaw Museum & Art Gallery, 2019).
Cover of The Vaults: Art from the MacKenzie Art Gallery and the University of Regina Collections, edited by Timothy Long and Stephen King (Regina: University of Regina Press, 2013).
Cover of Victor Cicansky: The Gardener’s Universe, edited by Timothy Long and Julia Krueger (Regina: MacKenzie Art Gallery, 2019), designed by Rio Saxon Design, Regina.
Cree Child, 1929 (later dated 1934 by the artist), by Mildred Valley Thornton. Collection of Westbridge Fine Art Ltd., Vancouver. Photo credit: Westbridge Fine Art Ltd., Vancouver.
Dark Green Centre, 1963, by Kenneth Lochhead. Collection of Art Gallery of Ontario, Toronto, gift from the McLean Foundation 1965 (64/20). Courtesy of Art Gallery of Ontario.
Darke Hall under construction, 1928. Photograph by Capitol Studio, Regina. Collection of University of Regina Archives and Special Collections, Library fonds, 80-2 Photograph 43. Courtesy of University of Regina Archives and Special Collections.
David Gilhooly in his studio, 1975. Photograph by Eberhard Otto. Collection of Library and Archives Canada, Ottawa (e002712467).
David Ross demonstrates a pottery technique, feathering, at the Saskatchewan Arts Board craft shop at the Valley Centre, Fort Qu’Appelle, August 1956. Photograph by Olive B. Roberts. Collection of Provincial Archives of Saskatchewan, Regina (56-157-36). Courtesy of Provincial Archives of Saskatchewan.
Dear John, David Louis Riel, 2014, by David Garneau. Performance at Dunlop Art Gallery, Regina. Photo credit: Eagleclaw Thom.
Deep Purple Field, 1965, by Joan Rankin. Collection of Moose Jaw Museum & Art Gallery. Courtesy of Moose Jaw Museum & Art Gallery.
Descending Whites, 1960, by Arthur McKay. Collection of the National Gallery of Canada, Ottawa, purchased 1990 (30822). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Design for Louis Riel Memorial, 1968, by John Nugent. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1969-014). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Drawing, 1959, by Ronald Bloore. Collection of the National Gallery of Canada, Ottawa, purchased 1984 (28570). Courtesy of the National Gallery of Canada. Photo credit: NGC.
A Dream of Autumn, 2024, by David Thauberger. Private collection. Courtesy of Slate Fine Art Gallery, Regina.
Dusty Stars, 1982, by Edward Poitras. Collection of MacKenzie Art Gallery, Regina (1995-009). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Early Moonrise in September, 1899, by William Brymner. Collection of the National Gallery of Canada, Ottawa, purchase, 1908 (42). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Early Morning, c.1915, by Sybil Henley Jacobson. Collection of Nutana Collegiate Memorial Art Gallery, Saskatoon. Courtesy of Nutana Collegiate Memorial Art Gallery.
Early Summer in the Valley, n.d., by Ruth Pawson. Private collection. Courtesy of Assiniboia Gallery, Regina.
Effulgent Image, 1961, by Arthur McKay. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Clifford and Patricia Wiens (1985-049). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Emma Lake, 1958, by Roy K. Kiyooka. Collection of the National Gallery of Canada, Ottawa, purchased 2003 (41257). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Emma Lake Abstract, 1960, by Douglas Morton. Collection of the University of Regina, gift of the Douglas Morton Family, July 2005. Permission to reproduce granted by the Douglas Morton Family (pc.2003.6). Courtesy of University of Regina President’s Art Collection.
English Farm Scene, n.d., by George R.A. Cole. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Dr. Hugh MacLean (1953-032). Courtesy of MacKenzie Art Gallery.
Epic Theme, 1960, by Arthur McKay. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1961-001). Courtesy of MacKenzie Art Gallery.
Ethel Barr at her home at 2102 Scarth Street, Regina, 1950s. Photographer unknown. Private collection. Courtesy of Hall Printing.
An Evening at the Regina Sketch Club, 1944, by Mary Filer. Collection of University of Regina Archives and Special Collections, Mary Filer Fonds, 2020-2, Regina Artworks, 1944-1, 3 of 4. Courtesy of University of Regina Archives and Special Collections. Photo credit: Jason Cawood.
Exterior of the MacKenzie Art Gallery featuring Duane Linklater’s Kâkikê / Forever, Regina, 2018. Photograph by Don Hall. Collection of MacKenzie Art Gallery, Regina. Courtesy of MacKenzie Art Gallery.
Facade of Neutral Ground Artist-Run Centre featuring Thin Places / in turns by Marie Lannoo and Suzie Smith, Regina, 2018. Photographer unknown. Courtesy of Neutral Ground Artist-Run Centre, Regina.
Figure of Annapoorna (Benares, India), eighteenth century. Formerly MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie. Repatriated to the Government of India in 2021. Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Fire Guard, 1923, by Inglis Sheldon-Williams. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie (1924-001). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Fire Ranger’s Canoe, Agawa River, Algoma, 1926, by Mary E. Wrinch. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Women’s Educational Club of Regina (1953-042). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Fireguard, c.1929, by Mildred Valley Thornton. Private collection, Vancouver. Photo credit: Westbridge Fine Art Ltd., Vancouver.
First Nations University of Canada, building designed by Douglas Cardinal, date unknown. Photograph by FNUniv Communications. Collection of First Nations University of Canada, Regina. Courtesy of First Nations University of Canada.
The First Saskatchewan Harvest, c.1956, by Jan Wyers. Private collection.
Fish Story, 1976, by David Thauberger. Collection of Confederation Centre Art Gallery, Charlottetown, gift of the artist, 1999 (CAG 94.8). Courtesy of Confederation Centre Art Gallery.
Floating installation and performance of Neutral Ground on Wascana Lake, Neutral Ground Artist-Run Centre launch, Regina, 1982. Photographer unknown. Collection of Neutral Ground Artist-Run Centre, Regina. Courtesy of Neutral Ground Artist-Run Centre.
Flower Piece, c.1968, by Ann James. Collection of SK Arts Permanent Collection, Regina (1996-307). Courtesy of SK Arts Permanent Collection. Photo credit: SK Arts.
For Ena, 1967, by Lorraine Malach. Collection of Dunlop Art Gallery, Regina. Courtesy of Dunlop Art Gallery.
Found His Brother’s Horse, 1974, by Allen Sapp. Collection of MacKenzie Art Gallery, Regina, gift of Celanese Canada Ltd. (2000-14). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
French Pantry Shelf, 1981, by Victor Cicansky. Collection of Dunlop Art Gallery, Regina (PC83.1.7). Courtesy of Dunlop Art Gallery.
From Gerald McMaster’s time as a young professor at the Saskatchewan Indian Federated College (now First Nations University of Canada), Regina, 1979. Photograph by Don Hall. Collection of University of Regina Archives and Special Collections, University of Regina Photography Department, Audio Visual Services fonds (2014-69/79-136-3). Courtesy of University of Regina Archives and Special Collections.
Fulfillment, 1952, by Ruth Pawson. Collection of SK Arts Permanent Collection, Regina (1952-004). Courtesy of SK Arts Permanent Collection. Photo credit: SK Arts.
Gerald McMaster, c.1990. Photograph by Mary Bramley. Courtesy of Gerald McMaster.
Gordon Snelgrove and Eli Bornstein, c.1950–51. Photographer unknown. Courtesy of Eli Bornstein.
Gordon Snelgrove teaching a class at the University of Saskatchewan Department of Art and Art History, c.1950–60. Photographer unknown. Collection of University of Saskatchewan, University Archives and Special Collections, Saskatoon, Photograph Collection (A-1628). Courtesy of University of Saskatchewan, University Archives and Special Collections.
Graveyard at Fort Qu’Appelle, 1885, by Oliver B. Buell. Collection of Library and Archives Canada, Ottawa, O.B. Buell (PA-118766). Courtesy of Library and Archives Canada.
Group of nine taken in the square of the North-West Mounted Police Barracks, at Regina, 1885, by Oliver B. Buell. Collection of Library and Archives Canada, Ottawa, O.B. Buell (C-001872). Courtesy of Library and Archives Canada.
Guido Molinari and Clement Greenberg at Emma Lake, 1962. Photographer unknown. John O’Brian Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.
The Homestead, Pike’s Peak, 1922, by Augustus Kenderdine. Collection of Glenbow Museum, Calgary, gift of Mrs. O.A. Beamish (1957, 57.42.12). Courtesy of Glenbow Museum.
The Horse Fair, 1852–55, by Rosa Bonheur. Collection of The Metropolitan Museum of Art, New York, gift of Cornelius Vanderbilt, 1887 (87.25). Courtesy of The Metropolitan Museum of Art.
Hot Alors / big red sky, 1965, by Bruce Parsons. Collection of University of Regina President’s Art Collection, Shumiatcher donation, gift of Dr. Morris C. Shumiatcher, O.C., S.O.M., Q.C. and Dr. Jacqui Clay Shumiatchrer, S.O.M., C.M., 2016 (sc.2016.69). Courtesy of University of Regina President’s Art Collection.
Houses completely destroyed by tornado, with unidentified men standing on a pile of rubble, Regina, June 30, 1912. Photographer unknown. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-A-0947). Courtesy of City of Regina Archives.
How the West Was… (detail), 1997–2003, by David Garneau. Collection of Glenbow Museum, Calgary (998.025.001 A-G). Courtesy of Glenbow Museum.
Indian Chief of the North West, Canada [Poundmaker], c.1886, by Robert Harris. Private collection. Courtesy of Waddington’s Auctioneers & Appraisers, Toronto.
Installation photo from Images and Studies by Win Hedore (Ted Godwin, Ken Lochhead, and Ron Bloore) at the Norman MacKenzie Art Gallery, Regina, 1960. Photographer unknown. Collection of University of Regina Archives and Special Collections, Win Hedore Information File. Courtesy of University of Regina Archives and Special Collections.
Installation view of III: Deborah Potter, Leesa Streifler, Sheila Nourse at the Art Gallery of Regina, 2025. Photograph by Don Hall. Courtesy of Art Gallery of Regina.
Installation view of BLACK PRAIRIES at the Dunlop Art Gallery, detail of works by Richard Allan Thomas, Regina, 2025. Photograph by Don Hall. Courtesy of Dunlop Art Gallery.
Installation view of BLACK PRAIRIES at the Dunlop Art Gallery, detail of glass-plate negatives by William “Billy” Beal, Regina, 2025. Photograph by Don Hall. Courtesy of Dunlop Art Gallery.
Installation view of Edward Poitras: The Trickster in the Canadian Pavilion at the Venice Biennale, 1995. Photograph by Edward Poitras. Courtesy of Edward Poitras.
Installation view of Edward Poitras: The Trickster in the Canadian Pavilion at the Venice Biennale, 1995. Photographer unknown. Collection of Canadian Museum of History, Gatineau. Courtesy of Canadian Museum of History, Gatineau.
Installation view of Love at First Sight: The Drs. Morris and Jacqui ShumiatcherArt Collection at the MacKenzie Art Gallery, Regina, 2015. Photograph by Don Hall. Courtesy of MacKenzie Art Gallery.
Installation view of New Work by a New Generation at the Norman MacKenzie Art Gallery, Regina, 1982. Photographer unknown. Collection of the MacKenzie Art Gallery. Courtesy of the MacKenzie Art Gallery.
Installation view of Radical Stitch, 2022. Photograph by Don Hall. Courtesy of MacKenzie Art Gallery.
Installation view of Ruelle d’amour—a journey of love by Wilf Perreault at the MacKenzie Art Gallery, Regina, 2014. Photographer unknown. Courtesy of MacKenzie Art Gallery.
Installation view of the members’ exhibition Ten Years Now at Neutral Ground Artist-Run Centre, Regina, 1992. Photographer unknown. Collection of Neutral Ground Artist-Run Centre, Regina. Courtesy of Neutral Ground Artist-Run Centre.
Installation view of Walking With Our Sisters at First Nations University of Canada, Regina, November 2013. Photograph by Bryan Schlosser / Regina Leader-Post.
Installation view of Work, Weather and the Grid: Agriculture in Saskatchewan, at the Dunlop Art Gallery, Regina, May 1991. Photograph by Patricia Holdsworth. Courtesy of Dunlop Art Gallery.
Interior of Darke Hall, on College Avenue, named for F.N. Darke, who donated the building to Regina College in 1929, c.1930. Photograph by Butcher & Runnalls. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-B-0050). Courtesy of City of Regina Archives.
Jack Sures, March 1969. Photograph by R.W. Christensen. Collection of Provincial Archives of Saskatchewan, Regina (68-1137-06). Courtesy of Provincial Archives of Saskatchewan.
Jan Wyers on his farm near Windthorst, 1960. Photographer unknown. Visual Resources Collection, National Gallery of Canada Library and Archives, Ottawa (074542). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Joe Fafard, 1975, by Wilf Perreault. Private collection. Photo credit: Lana Siman.
John R.C. Honeyman, Chief Librarian, in the Reference Room of the Regina Public Library at City Hall, c.1910. Photographer unknown. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-A-0147). Courtesy of City of Regina Archives.
John R.C. Honeyman, Chief Librarian of Regina Public Library from 1908 to 1936, c.1920. Photographer unknown. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-B-0043). Courtesy of City of Regina Archives.
Judith, 1892, by Jules-Joseph Lefebvre. Private collection. Courtesy of Wikimedia Commons.
J.W. McIntyre Farm, the first farmhouse built in the Regina area, c.1860. Photographer unknown. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-A-0860). Courtesy of City of Regina Archives.
Ka Ka Kabeca of Wood Mountain, c.1914, by Edgar C. Rossie. Collection of Provincial Archives of Saskatchewan, Regina, Mick West fonds (R-B11974-1). Courtesy of Provincial Archives of Saskatchewan.
Last Mountain Storm, 1925, by David H. Payne. Collection of the MacKenzie Art Gallery, University of Regina Collection, gift of Mr. Norman MacKenzie (1925-7). Courtesy of MacKenzie Art Gallery.
Laying the cornerstone of the Saskatchewan Legislative Building, Regina, October 4, 1909. Photograph by Edgar C. Rossie. Collection of City of Regina Archives (CORA-RPL-B-0031). Courtesy of City of Regina.
Legislative and Executive Building and Power House, Regina, Plan Showing Arrangement of Grounds, May 11, 1910, by Edward and W.S. Maxwell. Collection of Provincial Archives of Saskatchewan, Regina (B620.12). Courtesy of Provincial Archives of Saskatchewan.
Legislative and Executive Building, Regina, Saskatchewan, 1909, by Edward Maxwell. Collection of the National Gallery of Canada, Ottawa (306). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Let the Acid Queen Rain: The White Goop Devours All, 1985, by Bob Boyer. Collection of Canada Council Art Bank, Ottawa (85/6-0472). Courtesy of Canada Council Art Bank.
Live performance at the 2023 Sâkêwêwak Annual Storytellers Festival, Regina, February 2023. Photograph by sweetmoon photography.
Locomotive on Old Ottertail Creek Bridge, 1885, by Oliver B. Buell. Collection of McCord Stewart Museum, Montreal, gift of the Estate of Omer Lavallée (MP-1993.6.1.22). Courtesy of McCord Stewart Museum.
Long Haul, 2000, by David Thauberger. Collection of MacKenzie Art Gallery, Regina, purchased in gratitude for the significant contributions made by donors, community partners, and volunteers in bringing the Impressionist Masterworks from the National Gallery of Canada to the MacKenzie Art Gallery (2001-001). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Looking west down 11th Avenue, Regina, 1912. Attributed to Edgar C. Rossie. Collection of City of Regina Archives, CORA Photograph Collection (CORA-B-0166). Courtesy of City of Regina Archives.
Louis Riel addressing the jury during his trial for treason, 1885, by Oliver B. Buell. Collection of Library and Archives Canada, Ottawa, O.B. Buell (1966-094/C-001879, e010933908). Courtesy of Library and Archives Canada.
Man Carrying Woman, c.1958, by Tivi Illisituk. Collection of MacKenzie Art Gallery, Regina. Courtesy of MacKenzie Art Gallery.
“Manitobah” Settler’s House and Red River Cart, c.1862, by William George Richardson Hind. Collection of Library and Archives Canada, Ottawa (1937-283-1). Courtesy of Library and Archives Canada.
Margaret, n.d., by Harriette Keating. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Regina Council of Women (1953-008). Courtesy of MacKenzie Art Gallery.
Marine Scene, n.d., by François Musin. Collection MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie (1911-001). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Marjorie Dunlop, in graduation gown, c.1935. Photograph by Robert L. Simpson Co. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-B-0347). Courtesy of City of Regina Archives.
Marjorie Dunlop, Regina Public Library Chief Librarian, and Kiyoshi Izumi, architect, retrieving the cornerstone from the old Carnegie Library in preparation for the new library, May 16, 1961. Photographer unknown. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-B-0348). Courtesy of City of Regina Archives.
The Marshes, Divine Lake, n.d., by Mary Dignam. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Regina Council of Women (1953-010). Courtesy of MacKenzie Art Gallery. Photo Credit: Don Hall.
The Martyrdom of Saint Sebastian (after Titian), c.1600–1700, by an unknown Italian artist. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie (1935-008). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Memorial Bridge, Regina, Saskatchewan, with the Parliament Buildings, c.1930, by J. Fred Spalding. Published by The Camera Products Co., 1731 Dunbar Street, Vancouver. Collection of the University of Alberta Library, Edmonton (PC013134). Courtesy of the University of Alberta Library.
Merfrog and her Pet Fish, 1979, by David Gilhooly. Collection of Smithsonian American Art Museum, Washington, D.C., gift of Helen Williams Drutt English and H. Peter Stern in honor of the 35th anniversary of the Renwick Gallery (2007.47.12). Courtesy of Smithsonian American Art Museum, Washington, D.C. / Art Resource, New York, N.Y.
Métis in the Academy, 2019, by David Garneau. Collection of Dunlop Art Gallery, Regina (PC2021.3). Courtesy of Dunlop Art Gallery.
A Minor Sport in Canada, 1985, by Bob Boyer. Collection of the National Gallery of Canada, Ottawa, purchased 1987 (29757). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Morning Sunshine, 1924, by James Henderson. Collection of University of Saskatchewan, Art Galleries and Collection, Saskatoon, purchase 1924 (1924.004.001). Photo credit: University of Saskatchewan, Art Galleries & Collection.
Moses, c.1910, by Edmund Montague Morris. Saskatchewan Legislative Building Art Collection, Regina.
The Mountains, the Night and the 49, 1988, by Bob Boyer. Collection of the National Gallery of Canada, Ottawa, purchased 2023 (50543). Courtesy of the National Gallery of Canada. Photo: NGC.
The Mowers, 1908, by Inglis Sheldon-Williams. Collection of University of Saskatchewan, Art Galleries and Collection, Saskatoon, purchased 1924 (1924.008.001). Photo credit: University of Saskatchewan, Art Galleries and Collection.
Mural on the exterior west wall of the Sturdy Stone Centre, Saskatoon, n.d., by Jack Sures. Collection of the City of Saskatoon. “Sturdy-Stone Artwork,” published in 1977 by the Department of Government Services of the Government of Saskatchewan. Courtesy of Provincial Archives of Saskatchewan, Regina. Photo credit: Government of Saskatchewan’s Photographic Services Agency.
Murray Point Summer School of Art, Class of 1937, date unknown. Photographer unknown. Collection of University of Saskatchewan, University Archives and Special Collections, Photograph Collection (A-8728). Courtesy of University of Saskatchewan, University Archives and Special Collections.
My Father (Mon père), 1972, by Joe Fafard. Private collection. Photo credit: Lana Siman.
My Mother (Ma mère), 1972, by Joe Fafard. Private collection. Photo credit: Lana Siman.
No. 1 Northern, 1976, by John Nugent. Collection of Canadian Grain Commission, Winnipeg. Courtesy of Canadian Grain Commission. Photo credit: Christian Cassidy.
Noax’s full-page spread in The Morning Leader, November 11, 1918, page 1. Courtesy of Postmedia, Toronto.
Norah McCullough at the National Gallery of Canada, Ottawa, date unknown. Photographer unknown. Visual Resources Collection, National Gallery of Canada Library and Archives, Ottawa (173351). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Octopus Bag, c.1840–60, by a once-known nêhiyawak artist. Collection of McCord Stewart Museum, Montreal, gift of the Estate of Marc and Gilberte Cinq-Mars (M2005.115.22). Courtesy of McCord Stewart Museum.
Panel from a rectangular box, tenth to early eleventh century, by an unknown artist. Collection of The Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1913 (13.141). Courtesy of The Metropolitan Museum of Art.
Panoramic view, First Nations University of Canada, Regina, 2022. Photograph by Grahampurse. Courtesy of Wikimedia Commons.
Parfleche; Handle with Care, 1980, by Bob Boyer. Collection of SK Arts Permanent Collection, Regina, gift of the artist (1992-066). Courtesy of SK Arts Permanent Collection.
Path Through the Woods, n.d., by David H. Payne. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Regina Council of Women (1953-016). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Pathos in the Periwinkle #2, 2020, by Marsha Kennedy. Private collection. Courtesy of the artist. Photo credit: Gary Robins.
Petrographs, Petroglyphs and Mistassini, 1993, by Bob Boyer. Private collection. Photo credit: Saskatchewan Network for Art Collecting, Regina.
The Politician, 1987, by Joe Fafard. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1987-002). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Portrait of Chief Shot-in-Both-Sides, 1927, by James Henderson. Collection of the National Gallery of Canada, Ottawa, purchased 1928 (3535). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Portrait of Francis Nicholson Darke, 1938, by Augustus Kenderdine. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1928-008). Courtesy of MacKenzie Art Gallery.
Portrait of a Girl, 1891, by Augustus Kenderdine. Collection of Glenbow Museum, Calgary, gift of Mrs. O.A. Beamish (1957, 57.42.27). Courtesy of Glenbow Museum.
Portrait of Norman MacKenzie, K.C., n.d., by Augustus Kenderdine. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Mr. Norman MacKenzie (1936-018). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Poundmaker, also known as The Drummer (c.1842–1886), a Cree chief, later adopted by Crowfoot of the Blackfoot Nation, 1885, by Oliver B. Buell. Collection of Library and Archives Canada, Ottawa, O.B. Buell (C-001875). Courtesy of Library and Archives Canada.
The Pow-wow, 1987, by Allen Sapp. Collection of MacKenzie Art Gallery, Regina, purchased in memory of Mari Stewart (1992-002). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Prairie Landscape, c.1950, by Arthur McKay. Collection of the MacKenzie Art Gallery, Regina, gift of Elizabeth and Donald MacPherson (2012-041). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
A Prairie Piece, 1974, by David Thauberger. Collection of MacKenzie Art Gallery, Regina, gift of Richard Spafford (2005-056). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Prairie Waterworks, 1973, by Victor Cicansky. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1973-011). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Proposed Subdivision of Property near Wascana Lake, c.1913, by Thomas H. Mawson & Sons. Collection of Provincial Archives of Saskatchewan, Regina (B179). Courtesy of Provincial Archives of Saskatchewan.
Rawhide on Canvas, 1981, by Bob Boyer. Collection of First Nations University of Canada, Regina. Courtesy of First Nations University of Canada.
Razzle Dazzle, 1979, by Robert Christie. Private collection.
Reception for Earl Grey’s Visit, 1909, by Edgar C. Rossie. Collection of City of Regina Archives, Photograph Collection (CORA-RPL-B-0032). Courtesy of City of Regina Archives.
Red Grew, 1961, by Ted Godwin. Collection of Glenbow Museum, Calgary (75.7.1). Courtesy of Glenbow Museum.
Reflections, Emma Lake, c.1934, by Augustus Kenderdine. Collection of Glenbow Museum, Calgary, gift of Mrs. O.A. Beamish, 1957 (57.42.18). Courtesy of Glenbow Museum.
Regina College, college building and women’s residence, 1920. Photograph by Capitol Studio, Regina. Collection of University of Regina Archives and Special Collections, Office of the Controller fonds, Photograph 3 (75-6). Courtesy of University of Regina Archives.
Regina Downtown Core, Looking West from Hamilton Street, the Leader Post Building, 1885, by Oliver B. Buell. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-B-0390). Courtesy of City of Regina Archives.
The Regina Five outside the Norman MacKenzie Art Gallery at the time of The May Show exhibition, Regina, 1960. Photographer unknown. Collection of University of Regina Archives and Special Collections, Ken Lochhead fonds, Box 17, File 173, Photograph 599 (86-29). Courtesy of University of Regina Archives and Special Collections.
Regina Public Library, c.1915. Photographer unknown. Published in Picturesque Views of Busy Regina, Sask. (Winnipeg: Bloom Bros., 1915).
Regina Public Library Central Building (exterior view of entrance and north facade), built in 1962 by Kiyoshi Izumi, c.1963. Photograph by Henry Kalen. Collection of University of Manitoba Archives & Special Collections, Henry Kalen fonds, PC 219 (A.05-100), Box 155, Folder 495, Item 3. Courtesy of University of Manitoba Archives & Special Collections.
Regina Public Library staff, c.1915. Photographer unknown. Collection of City of Regina Archives, Regina Public Library fonds (CORA-RPL-B-0012). Courtesy of City of Regina Archives.
Regina Sketch Club exhibition, Regina Court House, 1928. Photographer unknown. Collection of MacKenzie Art Gallery, Regina. Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Regina’s 11th Avenue looking east toward “Germantown”, c.1914, attributed to Edgar C. Rossie. City of Regina Archives.
The Return of the Sun, 1961, by Kenojuak Ashevak. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1962-010-081). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Return to Mons, 1920, by Inglis Sheldon-Williams. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-0813). Courtesy of the Canadian War Museum.
Returning Tainted Gifts, 1999, by Sheila Orr. Collection of SK Arts Permanent Collection, Regina, gift of Carolyn Cardinal (2022-180). Courtesy of SK Arts Permanent Collection. Photo credit: SK Arts.
Reverie, n.d., by Sybil Henley Jacobson. Collection of Nutana Collegiate Memorial Art Gallery, Saskatoon. Courtesy of Nutana Collegiate Memorial Art Gallery.
Richard B. Simmins, July 1960. Photograph by Rapid Grip and Batten Limited. Visual Resources Collection, National Gallery of Canada Library and Archives, Ottawa (074374). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Robert Christie painting at Emma Lake, 1979. Photograph by Maggie Callahan. John O’Brian Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.
Rock Heart, 1994, by Edward Poitras. Collection of the MacKenzie Art Gallery, Regina (2019-006). Courtesy of MacKenzie Art Gallery. Photo credit: Edward Poitras.
Root Cellar, 1982, by Victor Cicansky. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, purchased with special donations (1983-019). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Running Horses (detail), 2017, by Joe Fafard. Collection of the National Gallery of Canada, Ottawa, purchased 2017 (48403.1-11). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Ruth Pawson’s red Volkswagen on the prairie, date unknown. Photographer unknown. Private collection.
The Saskatchewan Legislative Building in front of the Walter Scott Memorial in Regina, October 24, 2014. Photograph by Heywood Yu / The Canadian Press. Courtesy of The Canadian Press.
A Service Business, 1997, by David Thauberger. Private collection. Courtesy of Cowley Abbott, Toronto.
A Seven Arrow Storm, 1984, by Bob Boyer. Collection of MacKenzie Art Gallery, Regina (1984-7). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Sexy Garden: Carrots III, 2019, by Victor Cicansky. Courtesy of Slate Fine Art Gallery, Regina.
Shady Lane, 1988, by Wilf Perrault. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1989-001). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Sherry Farrell Racette with Nagamatow Kateri / Singing for Kateri. Photograph by Mike Latschislaw. Courtesy of Sherry Farrell Racette.
The Signal, n.d., by Augustus Kenderdine. Collection of Nutana Collegiate Memorial Art Gallery, Saskatoon. Courtesy of Nutana Collegiate Memorial Art Gallery.
Sioux Crossing After Sunset, n.d., by Ethel Barr. Collection of MacKenzie Art Gallery, Regina, gift of Gary Robertson (1999-31). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
The Sioux, Qu’Appelle Valley, n.d., by Ethel Barr. Collection of Dunlop Art Gallery, Regina (PC83.1.3). Courtesy of Dunlop Art Gallery.
Sitting Bull and Buffalo Bill, Montreal, Quebec, 1885, by William Notman & Son. Collection of McCord Stewart Museum, Montreal, purchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation, and Empire-Universal Films Ltd. (II-83129). Courtesy of McCord Stewart Museum.
A Smallpox Issue, 1983, by Bob Boyer. Collection of SK Arts Permanent Collection, Regina (1984-012). Courtesy of SK Arts Permanent Collection. Photo credit: Nickle Gallery.
Spotted Thunderbird Healer, 2010, by Keith Bird. Collection of University of Regina President’s Art Collection (pc.2012.12). Courtesy of University of Regina President’s Art Collection.
Spring’s Sprung (Dejeuner Sur L’herbe), 1959, by Ted Godwin. Private collection. Courtesy of Levis Fine Art Auctions, Calgary.
StoneDGloves, 1970, by Roy K. Kiyooka. Collection of the National Gallery of Canada, Ottawa, purchased 1998 (39764.6). Courtesy of the National Gallery of Canada. Photo credit: NGC.
The Story of Life, 2003, by Lorraine Malach. Collection of Royal Tyrrell Museum of Palaeontology, Drumheller. Courtesy of Royal Tyrrell Museum of Palaeontology.
Sun Dance Shield, 1980, by Bob Boyer. Collection of Crown-Indigenous Relations and Northern Affairs Canada, Gatineau, Indigenous Art Collection. Courtesy of Crown-Indigenous Relations and Northern Affairs Canada. Photo credit: Lawrence Cook.
Superstructure, 2020, by David Garneau. Collection of SK Arts Permanent Collection, Regina (2022-080). Courtesy of SK Arts Permanent Collection. Photo credit: David Garneau.
Tartan For Me Running, 1968, by Ted Godwin. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1968-001). Courtesy of MacKenzie Art Gallery.
Teevo, 1993, by Joe Fafard. Collection of the MacKenzie Art Gallery, Regina. The MacKenzie is grateful to the following for their donations toward the purchase of the Fafard calf: Campbell Collegiate, Davin School—Grades 4 and 5, École Monseigneur de Laval—Grade 5, Lakeview School—Grades 2–7, St. Josaphat—Grades 1–6, and St. Pius X—Grade 7; John and Catie Allan, Grant and Mary Armstrong, Shirley Bracewell, Don and Claire Kramer, Larry and Elva Kyle, Donald and Betty MacPherson, Joanne and Jack Messer, and Peggy and Tom Wakeling (in memory of Jean Embury); Crown Life Insurance Company, Richardson Century Fund, Royal Trust, and the Friends of the MacKenzie (1993-001). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
These Good Old Thrashing Days, c.1955, by Jan Wyers. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1959-007). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Tomato Chair, 1987, by Victor Cicansky. Private collection. Courtesy of Waddington’s Auctioneers & Appraisers, Toronto.
Tommy Douglas at the opening of the University of Saskatchewan hospital, Saskatoon, 1955. Photograph by Lee Hillyard. Collection of Provincial Archives of Saskatchewan, Regina (R-B2876-1). Courtesy of Provincial Archives of Saskatchewan.
The Touchwood Hills, c.1930, by Mildred Valley Thornton. Collection of the National Gallery of Canada, Ottawa, Gift of J.M. Thornton, Vancouver, 1971 (16858). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Train: Les Arrivées (detail), 2020, by Jeannie Mah. Collection of Remai Modern, Saskatoon. Courtesy of Remai Modern, Saskatoon, Gift of the artist (2025.10). Photo credit: Don Hall.
Treaty 4 Pictograph, 1874, by Chief Joseph Paskwa. Collection of the Royal Saskatchewan Museum, Regina. Courtesy of Wikimedia Commons.
Tree of Knowledge, 2018, by Victor Cicansky. Courtesy of Slate Fine Art Gallery, Regina.
Troops en route, North West Rebellion, 1885, 1885, by Oliver B. Buell. Collection of McCord Stewart Museum, Montreal, gift of the Estate of Omer Lavallée (MP-1993.6.2.15). Courtesy of McCord Stewart Museum.
Untitled, 1957, by Arthur McKay. Collection of University of Saskatchewan, Art Galleries and Collection, Saskatoon, gift of Laura Chapman, 1993 (1993.019.001). Courtesy of University of Saskatchewan, Art Galleries and Collection. Photo credit: Carey Shaw.
Untitled, 1966, by Lorraine Malach. Collection of Dunlop Art Gallery, Regina (ART 058). Courtesy of Dunlop Art Gallery.
Untitled, 1977–79, by Lorraine Malach. Collection of the Government of Saskatchewan, Saskatoon, Sturdy Stone Centre.
Untitled, 1987, by Jack Sures. Collection of Moose Jaw Museum & Art Gallery. Courtesy of Moose Jaw Museum & Art Gallery.
Untitled, n.d., by Harriette Keating. Currently in the care of the MacKenzie Art Gallery, Regina. Courtesy of the MacKenzie Art Gallery.
Untitled (Hoarfrost), 1960, by Roy K. Kiyooka. Collection of Remai Modern, Saskatoon, the Mendel Art Gallery Collection, purchased 1991 (1991.13). Courtesy of Remai Modern.
Untitled (Qu’Appelle Valley), 1940, by Annie Darke. Collection of the Darke family, Regina. Courtesy of the Darke family.
Untitled (Self-Portrait), 1953, by Anthony Thorn. Collection of SK Arts Permanent Collection, Regina, Gift of Lyn Goldman (2022-076). Courtesy of SK Arts Permanent Collection. Photo credit: Don Hall.
Vacation Days, c.1920, by Frederick S. Challener. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Women’s Educational Club of Regina (1953-011). Courtesy of MacKenzie Art Gallery.
Valley Farm (Near Indian Head), 1955, by Ruth Pawson. Collection of Dunlop Art Gallery, Regina (ART 213). Courtesy of Dunlop Art Gallery.
View in Stanley Park, Regina, Sask., c.1910, produced by Warren Bros. & Rutter. Collection of Philip Dombowsky.
View of the surrounding landscape and the petroglyphs by once-known Lakota artists and shamans at St. Victor Petroglyphs Provincial Historic Park, St. Victor, date unknown. Photographer unknown. Courtesy of Friends of the St. Victor Petroglyphs.
Walter Scott as a young man, c.1900. Photographer unknown. Collection of Provincial Archives of Saskatchewan, Regina (R-A6124). Courtesy of Provincial Archives of Saskatchewan, Regina.
Wayne Morgan, date unknown. Photographer unknown.
Well Balanced Fertility Goddess, 1972, by David Gilhooly. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection (1973-002). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
Wiens’ Sugar, 1960, by Ronald Bloore. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of Clifford and Patricia Wiens (1985-050). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
William Trant, date unknown. Photographer unknown. Reproduced in The Legislative Library of Saskatchewan, by Christine MacDonald (Regina: Saskatchewan Legislative Library, 1986, p. 57).
Winter Landscape, c.1935, by James Henderson. Collection of MacKenzie Art Gallery, Regina, University of Regina Collection, gift of the Women’s Educational Club of Regina (1953-048). Courtesy of MacKenzie Art Gallery. Photo credit: Don Hall.
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