During his fifty-seven-year career in Montreal, William Raphael became known for his genre scenes depicting the activities of everyday Canadians. Although most art historians have focused on his oil paintings of the Bonsecours Market, Raphael produced a profound and diverse body of work, punctuated by numerous portraits and landscapes. Inspired by his adopted country and its people, he never ceased depicting them through art imbued with realism.
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Haymarket Square / Victoria Square, 1861
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Behind Bonsecours Market, Montreal, 1866
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The Early Bird Picks Up the Worm, 1869
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Tandem, 1869
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The McFarlane Children, 1871
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Habitant (or Preparing to Smoke), c.1872–1910
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Indian Encampment on the Lower St. Lawrence, 1879
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Dr. Roddick’s Remarkable Case of Favus, Showing the Distribution of the Scabs and the Extent of the Eruption on the Body, 1880
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Sawmill and Hydraulic Dam, 1889
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With the Current, 1892
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About the Author
Pierre-Olivier Ouellet is an art historian and professor at Cégep du Vieux Montréal. He is interested in artistic production in Canada before 1900.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.