Sources et ressources

La scène artistique dynamique de Regina s’articule autour de grandes institutions, de centres d’artistes autogérés et de galeries commerciales qui soutiennent les artistes de la Saskatchewan. La MacKenzie Art Gallery et la Dunlop Art Gallery présentent des expositions locales et nationales, tandis que des espaces comme Neutral Ground et le Sâkêwêwak First Nations Artists’ Collective favorisent l’expérimentation et les liens communautaires. Des galeries commerciales comme Slate Fine Art, l’Assiniboia Gallery et le Nouveau Gallery mettent en valeur les artistes contemporains des Prairies. De l’héritage des Regina Five à une communauté florissante de créatrices et créateurs autochtones, la ville continue d’attirer commissaires, universitaires et artistes — faisant de Regina un lieu incontournable de production culturelle, de dialogue critique et d’innovation  artistique.

Articles

Bloore, Ronald L., « Folk Painters of the Canadian West: Jan G. Wyers », Canadian Art, vol. 17, n° 68, mars 1960, p. 60-65.

Brennan, J. William, « Visions of ‘A City Beautiful’: The Origin and Impact of the Mawson Plans for Regina », Saskatchewan History, vol. 46, n° 2, automne 1994, p. 19-33.

Enright, Robert, « Iconographer of the Local: A Conversation with David Thauberger », Border Crossings, vol. 33, n° 3, septembre 2014, p. 96-104.

Goodspeed, Rhona, « Saskatchewan Legislative Building and Grounds », Journal of the Society for the Study of Architecture in Canada, vol. 32, n° 1, 2007, p. 61-88.

Greenberg, Clement, « Clement Greenberg’s View of Art on the Prairies: Painting and Sculpture in Prairie Canada Today », Canadian Art, vol. 20, n° 2, mars-avril 1963, p. 90-107.

McCoy, Ron, « Sitting Bull: A Hunkpapa Lakota Warrior Chronicles His Life of Dauntless Courage ». American Indian Magazine, vol. 40, n° 1, hiver 2014, p. 34-45, 86.

McMaster, Gerald, « Tenuous Lines of Descent: Indian Arts and Crafts of the Reservation Period », Canadian Journal of Native Studies, vol. 10, n° 2, 1989, p. 205-236.

Silversides, Brock, « Edgar Rossie: Dean of Saskatchewan Photographers », Saskatchewan History, vol. 42, n° 1, hiver 1989, p. 11-27.

Tousley, Nancy, « Edward Poitras: The Trickster », Canadian Art, vol. 12, n° 2, été 1995, p. 37-45.

Livres

Alexander, Mary G., Sybil Jacobson : Painting in the West, Toronto, HMS Press, 1985.

Barnhart, Gordon L., Building for the Future: A Photo Journal of Saskatchewan’s Legislative Building, Regina, Canadian Plains Research Center, Université de Regina, 2002.

Barnhart, Gordon L., « Peace, Progress and Prosperity » : A Biography of Saskatchewan’s First Premier, T. Walter Scott, Regina, Canadian Plains Research Center, Université de Regina, 2000.

Beug, Lorne, Anne Campbell et Jeannie Mah, éd., Regina’s Secret Spaces: Love and Lore of Local Geography, Regina, University of Regina Press, 2006.

Birley, Susan, Anne Campbell et Jeannie Mah, éd., Biblio Files : A History of the Regina Public Library, Regina, University of Regina Press, 2017.

Cicansky, Victor. Up from Garlic Flats: My Life and Making of an Artist, Regina, Radiant Press, 2019.

Francis, R. Douglas, Images of the West: Changing Perceptions of the Prairies, 1690–1960, Saskatoon, Western Producer Prairie Books, 1989.

Long, Timothy, et Julia Krueger, éd., Victor Cicansky: The Gardener’s Universe, Regina, MacKenzie Art Gallery, 2019.

Long, Timothy, et Stephen King, éd., The Vaults: Art from the MacKenzie Art Gallery and the University of Regina Collections, Regina, University of Regina Press, 2013.

Margoshes, David, éd., Wilf Perreault: In the Alley / Dans la Ruelle, Regina, Coteau Books, 2014.

Pitsula, James M., An Act of Faith: The Early Years of Regina College, Regina, Canadian Plains Research Center, Université de Regina, 1988.

Rees, Ronald, Land of Earth and Sky: Landscape Painting of Western Canada, Saskatoon, Western Producer Prairie Books, 1984.

Rees, Ronald, New and Naked Land: Making the Prairies Home, Saskatoon, Western Producer Prairie Books, 1988.

Riddell, W.A., Cornerstone for Culture: A History of the Saskatchewan Arts Board. Regina, Saskatchewan Arts Board, 1978.

Riddell, W.A., The MacKenzie Art Gallery: Norman MacKenzie’s Legacy, Regina, MacKenzie Art Gallery, 1990.

Salloum, Sheryl, The Life and Art of Mildred Valley Thornton, Salt Spring Island, Colombie-Britannique, Mother Tongue Publishing Limited, 2011.

Silversides, Brock, Looking West: Photographing the Canadian Prairies, 1858–1957, Calgary, Fifth House Ltd., 1999.

Teillet, Jean. The North-West Is Our Mother: The Story of Louis Riel’s People, the Métis Nation, Toronto, HarperCollins Publishers, 2019.

Catalogues d’exposition

Ainslie, Patricia, Inglis Sheldon-Williams, Calgary, Glenbow Museum, 1982.

Davis, Ann, Patricia Ainslie et Ted Godwin, Ted Godwin: The Regina Five Years: 1957–1967, Calgary, The Nickle Arts Museum, 2008.

Donegan, Rosemary, Work, Weather and the Grid: Agriculture in Saskatchewan, Regina, Dunlop Art Gallery, 1991.

Eichhorn, Virginia et Timothy Long, éd., Tactile Desires: The Work of Jack Sures, Regina, MacKenzie Art Gallery, 2011.

Fraser, Sandra, et Timothy Long, éd., David Thauberger: Road Trips & Other Diversions, Saskatoon, Mendel Art Gallery, 2014.

Fraser, Ted. Kenneth Lochhead: Garden of Light, Regina, MacKenzie Art Gallery, 2005.

Gibson, Jennifer, Creation & Continuity: Inuit Art from the Shumiatcher Collection, Regina, MacKenzie Art Gallery, 1998.

Godwin, Ted, et Andrew Oko, éd., Ted Godwin: The Tartan Years, 1967–1976, Calgary, The Nickle Arts Museum, 1999.

Heath, Terrence, Joe Fafard, Ottawa, National Gallery of Canada, 2007.

Heath, Terrence, Ronald L. Bloore: Not Without Design, Regina, MacKenzie Art Gallery, 1993.

Houle, Robert, et Carol A. Phillips, éd., New Work by a New Generation, Regina, Norman MacKenzie Art Gallery, 1982.

Howard, David, Alex Kelly et Timothy Long, Arthur F. McKay: A Critical Retrospective, Regina, MacKenzie Art Gallery, 1997.

Long, Timothy, Regina Clay: Worlds in the Making, Regina, MacKenzie Art Gallery, 2006.

Martin, Lee-Ann, Bob Boyer: His Life’s Work, Regina, MacKenzie Art Gallery, 2008.

McMaster, Gerald, Edward Poitras: Canada XLVI Biennale di Venezia, Hull, QC, Canadian Museum of Civilization, 1995.

McRorie, Jennifer, et Joanne Marion, Prairie Vernacular: Folk and Contemporary Art Narratives of Life on the Canadian Prairie, Moose Jaw, SK, Moose Jaw Museum & Art Gallery, 2019.

O’Brian, John, The Flat Side of the Landscape: The Emma Lake Artists’ Workshops, Saskatoon, Mendel Art Gallery, 1989.

Oko, Andrew, et Ronald L. Bloore, Jan Gerrit Wyers 1988–1973, Regina, Norman MacKenzie Art Gallery, 1989.

Pincus-Witten, Robert, et Maija Bismanis, John Nugent: Modernism in Isolation, Regina, Norman MacKenzie Art Gallery, 1983.

Probe, Suzanne, Season by Season: The Work of Ruth Pawson, Regina, Dunlop Art Gallery, 1992.

Rimmer, Cate, Nancy Shaw, Roy Miki, et al., Roy Kiyooka, Vancouver, Artspeak Gallery, 1991.

Ring, Dan, James Henderson: Wicite Owapi Wicasa, Saskatoon, Mendel Art Gallery, 2010.

Spain, Maeve, Augustus Kenderdine, Calgary, Glenbow Museum, 1986.

Swinton, Nelda, The Jacqui and Morris Shumiatcher Collection of Inuit Art, Regina, Norman MacKenzie Art Gallery, 1981.

Teitelbaum, Mashel, et Peter White, Joe Fafard: Cows and Other Luminaries 1977–1987, Saskatoon, Mendel Art Gallery, 1987.

Mémoires de maitrise et thèses de doctorat

Britski, April Danielle, « The Edge of Painting: The Emma Lake Artists’ Workshops and the Politics of Location », mémoire de maîtrise, Université Carleton, Ottawa, 2005.

Gallagher, Dawna Doris, « Bringing Art to the People: A Biography of Nora McCullough », mémoire de maîtrise, Université Carleton, Ottawa, 1997.

Gaudet, Manon, « (Un)settling Mary Weekes: Collection Indigenous Beadwork and Confronting Settler Identity in Twentieth-Century Saskatchewan », mémoire de maîtrise, Université Carleton, Ottawa, 2016.

Krueger, Julia, « Prairie Pots and Beyond: An Examination of Saskatchewan Ceramics from the 1960s to Present », mémoire de maîtrise, Université Carleton, Ottawa, 2006.

Meszaros, Cheryl, « Visibility and Representation: Saskatchewan Art Organizations Prior to 1945 », mémoire de maîtrise, Université Queen’s, Kingston, 1990.

Surette, Susan, « Canadian Ceramic Relief Murals: Studio Craft and Architecture – A Case Study of the Sturdy-Stone Centre Murals, 1975–1983 », thèse de doctorat, Université Concordia, Montréal, 2014.