Douglas is an internationally recognized Vancouver-based artist working primarily in photography, video, and installation. His work explores moments of social transformation through the creation of speculative histories. Douglas’s career began in the 1980s when he created multimedia installations using projected images (Slideworks, 1983; Deux Devises, 1983; Onomatopoeia, 1985–86) and video art interventions for television (Television Spots, 1987–88). He is the recipient of numerous honours, including the 2013 Scotiabank Photography Award, and was chosen to represent Canada at La Biennale di Venezia 59 (2022).

Image: Stan Douglas, Onomatopoeia, 1985–86, 5mm slides transferred to 4k video, 88-note player piano, player piano roll, optical trigger device, screen, 6:07 min each rotation, black and white, sound, one music roll, overall dimensions variable.

For further reading, see:

Christ, Hans D., and Iris Dressler, eds. Stan Douglas: Past Imperfect—Works, 1986–2007. Stuttgart: Hatje Cantz Verlag, 2008.

Nichols, Miriam. Stan Douglas: Television Spots. Vancouver: Contemporary Art Gallery, 1988.